Dream music

George Gershwin: Embraceable you, The man I love, Summertime, Somebody loves me, I’ve got Rythm, Nice Work

Louis Amstrong: It’s a wonderful world

Charlie Chaplin: Smile

Harold Arlen: The Wizard of Oz, Somewhere over the rainbow

Frederick Loewe: My Fair Lady, I could have dance & On the street where you live

John Barry: Out of Africa

Jerry Hermann: Hello Dolly, Hello Dolly

John Kander: Cabaret, May be this time

John Kander: New York, New York

Hebrew composers

George Gershwin: Embraceable you, The man I love, Summertime, Somebody loves me, I’ve got Rythm, Nice Work

Rudolf Friml: Rose Marie, Indian love call

Jerome Kern: All the things you are, Smoke gets in your eyes

Leonard Bernstein: West side story, Somewhere

Irving Berlin: Cheek to cheek, Heaven

Nicolas Brodzky: By My love, Alma de bohemios

Juan Carlos Cobián: Nostalgias

Romantic recital

Gaetano Donizetti: La Fille du regiment, Salut a la France! 

Maurice Ravel: Chanson espagnole

Pier Paolo Tosti: Chanson d’adieu

Franz Liszt: Rêve d’amour

Leo Delibes: Les filles de Cadix

Jaques Offenbach: Les contes d’Hoffmann, Barcarola

George Bizet: Carmen, Seguidille 

Joseph Kosma: Les feuilles mortes

Charles Gounod: Faust, Chanson du Roi de Thule, Air des bijoux

George Bizet: Carmen, Habanera

Gustave Charpentier: Louise, Depuis le jour

Jules Massenet: Thaïs, Meditation

Novecento Coffee

Imagine an elegant hall in a Roman palace in the 60’s of the twentieth century. A private party brings together socialites from around the world, here to enjoy the pleasure of the Dolce Vita. Among the guests there is a famous soprano, who next to a piano, embezzles the guests with his voice singing the best known melodies of the time, combining opera, zarzuela, European and American songs.

Do you want to join with us in this recreation?

George Bizet: Carmen, Habanera

Giaccomo Puccini: Gianni Schicchi, Oh, mio babbino caro

Geronimo Giménez: La tempranica. La Tarántula

José Serrano: Los claveles. Que te importa que no venga

Harold Arlen: El Mago de Oz, Somewhere over the rainbow

Stanislao Gastaldon: Musica proibita

Joseph Kosma: Les feuilles mortes

Rudolf Friml: Rose Marie, Indian love call

Maria Grever: Júrame

Josep Ribas: Pel teu amor, Rosor

Agustín Lara: Granada

A concert where each melody has defined a time and never leaves us indifferent. You will not be able to avoid vibrating with deep emotion after each of them with these intimate and unique interpretations. 

Ti voglio tanto bene: A. De Curtis

Arrivederci Roma: R. Rascel

Non ti scordar di me: A. De Curtis

Les Feuilles mortes: J.Kosma

Musica prohibita: S. Gastaldon

Dicitincello vuie: R. Falvo

Jurame: M. Grever

Granada: A. Lara

By my love: N. Brodzky

Nostalgias: J. C. Cobián

Alma de bohemio: N. Brodzky

Somewhere over the rainbow: H. Arlen

Aries of seduction

A century from Mozart to Puccini. An exciting journey from the classic style to romanticism. Mozart, one of the greatest musical geniuses in history, wrote to the love in everyday’s life detailing his pleasures, hypocrisies, personal interests, deceptions and frustrations with an extraordinary tragic, comic and lyrical vision at the same time.

Puccini, disciple of the romantic style as a whole, exalted the ideal love invested by moral force, if not by mysticism. It began the ‘verismo’ , transmitting the sensations, the sensuality and the feelings of the personages.

Wolfang Amadeus Mozart:

• Le nozze di Figaro, Voi che sapete – Non so piu
• Così fan tutte, In uomini, in soldati – Una donna a quindici anni
• Don Giovanni, Batti, batti o bel Masetto – Vedrai cariño

Giacomo Puccini:

• Le Villy, Se come voi piccina
• Gianni Schicchi, O mio babbino caro
• La Boheme, Donde lieta – Quando me’n vo soletta – Sole e amore

Stanislao Gastaldon: Musica proibita

Gian Paolo Tosti: Na Vuchella

Zarzuela in Kabaret® Show

This show not only takes us back to the singular, erudite, prolific, popular and celebrated essence of the musical heritage of the Zarzuela, it also places Zarzuela in the place where it belongs in art through the moving experiences of a singer who lived the most splendid years Of the zarzuela around the world.

Two exceptional musicians accompay me in this trip, Josep Buforn and Oksana Solovieva, playing the most memorable fragments of the best known Zarzuelas, adapted to a more intimate style but at the same time full of passion and lyrical delicacy.

We have no doubt that the spontaneity, vitality, and drama of the zarzuela will excite you. These artistic values predict a promising return to the stages and will captivate a new generation of public that, we are sure, will receive with great enthusiasm the new composers, who are renewing the zarzuela with unimaginable musical aesthetics. Perhaps the Zarzuela is timidly camouflaged under the name of Musical Theater?

Gerónimo Giménez: La Tempranica, Zapateado

Aadeu Vives: Bohemios, Romanza de Cossette

Gerónimo Giménez: Las bodas de Luís Alonso, Intermedio

José Serrano: Los claveles, ¿Que te importa que no venga?

Chueca y Valverde: La gran vía, Schottisch del eliseo madrileño

Pablo Saraste: Romanza andaluza

Rafael Martínez Valls: Cançó d’amor i de guerra, Eloi de ma vida

Ruperto Chapí: Las hijas del Zebedeo, Carceleras

José Serrano: La canción del Olvido, Marinela

Ernesto Lecuona: Malagueña

Ernesto Lecuona: María la O, Mulata infeliz

Federico Moreno Torroba: Luisa Fernanda, Mazurca de las sombrillas

Amadeu Vives: La Generala, Es un muñeco el arlequín

Albert Guinovart: Mar i Cel, Perquè he plorat

The voice of the soul

The beauty of the sounds of Western spirituality.

Claudio Monteverdi Selva morale. Laudate Dominum, Pianto della Madonna, Jubilet

Claudio Vivaldi: Gloria, Domine Deus

Wolfang Amadeus Mozart: Coronation Mass, Agnus Dei

Gioachino Rossini: Pauxilus Messem Solemnis, Crucifixus

Pietro Mascagni: Cavalleria rusticana, Sancta Maria 

Amadeu Vives: Estimem al Senyor

Stefano Melone: Mater Lubilei

European tradition and American newness

The Atlantic Ocean nexus of two shores, Europe and America. The Atlantic ocean carrier of the bel canto from the Old Continent to the New. The Atlantic Ocean, scene of continental sounds that spread in the silence of the sea. This concert places us on a beautiful island in the middle of the ocean. From the Eastern side you will hear the sound of deep, melancholic, mature music: here is the Italian, French and Spanish opera with its echoes of small jewels of the sound. From the western shore, the breeze will caress you with the bright notes of fresh and overwhelming passion of a young continent full of hope: gems of the new opera from the USA, Cuba, Argentina and Brazil.

De Curtis: Ti voglio tanto bene

F Cilea: Adriana Lecouvrer. Io son l’umille ancella

Renato Rascel: Arrivederci Roma

George Bizet: Carmen. Habanera

Joseph Kosma: Les feuilles mortes

Enric Granados: Goyescas. Porque entre sombras el ruiseñor

Maria Grever: Júrame

Ernesto Lecuona: María la O. María la O.

George Gershwin: Porgy and Bess. Summertime

Harold Arlen: The Wizard of Oz, Somewhere over the rainbow

Jerome Kern: All the things you are/ smoke gets in your eyes

Edmundo Villani-Cortes: Poranduba, Aria de Ceucy

Jayme Ovalle: Azulao

Juan Carlos Cobián: Nostalgias

Nicholas Brodsky: Alma de bohemio

Jewels of Europe

A tailor-made concert where we can rely on a single author or mix different authors creating unique experiences.

French eroticism. Does your skin vibrate? You are caressing the notes of Ravel, Poulenc, Satie, Saint-Saents, Kosma, Delibes, Debussy …

Exotic Catalan. A range of sound treasures: from the romantic Enric Morera, to the modern and unknown Jaume Pahissa, through the classic Obradors, Granados, Monpou …

The melancholy Mediterranean-Italian. Can you avoid a few tears when listening to the sweet melodies of Tosti, Bellini, Rossini, Donizetti, Puccini? Better get excited. Do not forget a handkerchief .

German Romanticism. Nothing to do. When Schubert, Strauss, Schuman or Mozart enter into the heart they renew the capacity to fall in love again.

Bull’s skin. Do you want to feel the line between life and death? Close your eyes and let the fire of Falla, Rodrigo, Granados, Albéniz, Montsalvatge burn you.

The wire of Ariadna. The light and dark side

Claudio Monteverdi: Arianna, Il lamento di Arianna

Alessandro Scarlatti: Le violette

Georg Friedich Haendel: Rinaldo, Lascia ch’io pianga

Girolamo Frescobaldi: Se l’aura spira

Claudio Vivaldi: Cessate, Omai cessate

Giusieppe Giordani: Caro mio ben

Bonaventura Aliotti: Sansone, Vanne pur!

Benedetto Marcello: O del mio dolce ardor

Claudio Monteverdi: Orfeo, Io la musica son

Georg Friedich Haendel: Giulio Cesare, Da tempeste

Tender festivities

From refined Monteverdian baroque praises to the classic and essential Ave Maria, Adeste Fideles, Allelluia, Panis Angelicus, incorporating some novelty: Mater Iubilei, Marian hymn of Jubilee 2000 and “Moses theme”, Oscar winner Enio Morricone’s tune from the film “Moses, the lawgiver”. Dear carols, that can never be missed, close this annual event.

Traditional: Adeste Fideles

Claudio Monteverdi: Laudate Dominus

Charles Gounod: Ave Maria

Cesar Frank: Panis Angelicus

Stefano Melone: Mater Lubilei

Pietro Mascagni: Cavalleria rusticana, Ave Maria

Ennio Morricone: Moses, Shemà Israel

Wolfang Amadeus Mozart: Exultate, Iubilate, Allelluia

Traditional: Catalan Carols Medley

Franz Xaver Gruber: Stile Nacht

Franz Schubert: Wiegenlie

Jester Hairston: Mary’s Boy Child

Mel Torne: The Christmas Song

Blane Martin: Have Yourself a Merry Little Christmas

Lee Holdridge & Connors: Once Again

Irving Berlin: White Christmas