{"id":50987,"date":"2016-03-29T13:43:39","date_gmt":"2016-03-29T13:43:39","guid":{"rendered":"http:\/\/temporal.isabelricciardi.com\/?page_id=50987"},"modified":"2018-12-05T17:37:16","modified_gmt":"2018-12-05T17:37:16","slug":"conciertos-portfolio","status":"publish","type":"page","link":"https:\/\/isabelricciardi.com\/en\/concerts\/","title":{"rendered":"CONCERTS"},"content":{"rendered":"

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CONCERTS<\/span><\/h4>\n

[\/vc_column_text][vc_separator type=”normal” color=”#173c4f” border_style=”dotted” up=”15″ down=”15″][vc_empty_space image_repeat=”no-repeat”][vc_tabs style=”vertical_left” tab_type_default=”default”][vc_tab icon_pack=”font_awesome” fa_icon=”” title=”BROADWAY AND FILMS MUSIC” tab_id=”1459277679459-7-5″][vc_column_text]<\/p>\n

Dream music<\/span><\/h3>\n

 <\/p>\n

George\u00a0Gershwin:<\/strong> <\/em>Embraceable you, The man I love, Summertime, Somebody loves me, I\u2019ve got Rythm, Nice Work<\/span><\/p>\n

Louis Amstrong:<\/strong> <\/em>It\u2019s a wonderful world<\/span><\/p>\n

Charlie Chaplin:<\/strong> <\/em>Smile<\/span><\/p>\n

Harold Arlen:<\/strong> The Wizard of Oz,\u00a0<\/em>Somewhere over the rainbow<\/span><\/p>\n

Frederick\u00a0<\/strong><\/em>Loewe:<\/strong> My Fair Lady,\u00a0<\/em>I could have dance & On the street where you live<\/span><\/p>\n

John Barry:<\/strong> Out of Africa<\/em><\/span><\/p>\n

Jerry Hermann:<\/strong> Hello Dolly, <\/em>Hello Dolly<\/span><\/p>\n

John Kander:<\/strong> Cabaret,\u00a0<\/em>May be this time<\/span><\/p>\n

John\u00a0Kander:<\/strong> New York, <\/em>New York<\/span><\/p>\n

 <\/p>\n

Hebrew composers<\/span><\/h3>\n

 <\/p>\n

George\u00a0Gershwin:<\/strong> <\/em>Embraceable you, The man I love, Summertime, Somebody loves me, I\u2019ve got Rythm, Nice Work<\/span><\/p>\n

Rudolf\u00a0Friml:<\/strong> Rose Marie,\u00a0<\/em>Indian love call<\/span><\/p>\n

Jerome Kern:<\/strong> All the things you are, <\/em>Smoke gets in your eyes<\/span><\/p>\n

Leonard\u00a0Bernstein:<\/strong> West side story, <\/em>Somewhere<\/span><\/p>\n

Irving Berlin:<\/strong> Cheek to cheek,\u00a0<\/em>Heaven<\/span><\/p>\n

Nicolas\u00a0Brodzky:<\/strong> By My love, <\/em>Alma de bohemios<\/span><\/p>\n

Juan Carlos Cobi\u00e1n:<\/strong> <\/em>Nostalgias<\/span>[\/vc_column_text][\/vc_tab][vc_tab icon_pack=”font_elegant” fe_icon=”” title=”FRENCH OPERA” tab_id=”7a6cc311-2c26-8a03e-6044″][vc_column_text]<\/p>\n

Romantic recital<\/span><\/h3>\n

 <\/p>\n

Gaetano Donizetti:<\/strong> La Fille du regiment,\u00a0<\/em>Salut a la France!\u00a0<\/span><\/p>\n

Maurice Ravel:<\/strong> <\/em>Chanson espagnole<\/span><\/p>\n

Pier Paolo Tosti:<\/strong> <\/em>Chanson d\u2019adieu<\/span><\/p>\n

Franz Liszt:<\/strong> <\/em>R\u00eave d\u2019amour<\/span><\/p>\n

Leo Delibes:<\/strong> <\/em>Les filles de Cadix<\/span><\/p>\n

Jaques Offenbach:<\/strong> Les contes d\u2019Hoffmann, <\/em>Barcarola<\/span><\/p>\n

George Bizet:<\/strong> Carmen, <\/em>Seguidille\u00a0<\/span><\/p>\n

Joseph Kosma:<\/strong> <\/em>Les feuilles mortes<\/span><\/p>\n

Charles Gounod:<\/strong> Faust, <\/em>Chanson du Roi de Thule, Air des bijoux<\/span><\/p>\n

George Bizet:<\/strong> Carmen,\u00a0<\/em>Habanera<\/span><\/p>\n

Gustave\u00a0Charpentier:<\/strong> Louise, <\/em>Depuis le jour<\/span><\/p>\n

Jules Massenet:<\/strong> Tha\u00efs, <\/em>Meditation<\/span>[\/vc_column_text][\/vc_tab][vc_tab icon_pack=”font_awesome” fa_icon=”” title=”OPERA GALA” tab_id=”1459277646061-5-9″][vc_column_text]<\/p>\n

Novecento Coffee<\/span><\/h3>\n

 <\/p>\n

Imagine an elegant hall in a Roman palace in the 60’s of the twentieth century. A private party brings together socialites from around the world, here to enjoy the pleasure of the Dolce Vita. Among the guests there is a famous soprano, who next to a piano, embezzles the guests with his voice singing the best known melodies of the time, combining opera, zarzuela, European and American songs.<\/span><\/em><\/p>\n

 <\/p>\n

Do you want to join with us in this recreation?<\/span><\/em><\/p>\n

\u00a0<\/em><\/span><\/p>\n

George Bizet:<\/strong> Carmen, <\/em>Habanera<\/span><\/p>\n

Giaccomo Puccini:<\/strong> Gianni Schicchi, <\/em>Oh, mio babbino caro<\/span><\/p>\n

Geronimo Gim\u00e9nez:<\/strong> <\/em>La tempranica. La Tar\u00e1ntula<\/span><\/p>\n

Jos\u00e9 Serrano:<\/strong> <\/em>Los claveles. Que te importa que no venga<\/span><\/p>\n

Harold Arlen:<\/strong> El Mago de Oz, <\/em>Somewhere over the rainbow<\/span><\/p>\n

Stanislao Gastaldon:<\/strong> <\/em>Musica proibita<\/span><\/p>\n

Joseph Kosma:<\/strong> <\/em>Les feuilles mortes<\/span><\/p>\n

Rudolf Friml:<\/strong> Rose Marie, <\/em>Indian love call<\/span><\/p>\n

Maria Grever:<\/strong> <\/em>J\u00farame<\/span><\/p>\n

Josep Ribas:<\/strong> <\/em>Pel teu amor, Rosor<\/span><\/p>\n

Agust\u00edn\u00a0Lara:<\/strong> <\/em>Granada<\/span>[\/vc_column_text][\/vc_tab][vc_tab icon_pack=”font_awesome” fa_icon=”” title=”All times classic MELODIES” tab_id=”1459277656792-6-7″][vc_column_text]A concert where each melody has defined a time and never leaves us indifferent. You will not be able to avoid vibrating with deep emotion after each of them with these intimate and unique interpretations.\u00a0<\/span><\/em><\/p>\n

 <\/p>\n

Ti voglio tanto bene:\u00a0<\/strong>A. De Curtis<\/em><\/span><\/p>\n

Arrivederci Roma:\u00a0<\/strong>R. Rascel<\/em><\/span><\/p>\n

Non ti scordar di me:\u00a0<\/strong>A. De Curtis<\/em><\/span><\/p>\n

Les Feuilles mortes:\u00a0<\/strong>J.Kosma<\/em><\/span><\/p>\n

Musica prohibita:\u00a0<\/strong>S. Gastaldon<\/em><\/span><\/p>\n

Dicitincello vuie:\u00a0<\/strong>R. Falvo<\/em><\/span><\/p>\n

Jurame:\u00a0<\/strong>M. Grever<\/em><\/span><\/p>\n

Granada:\u00a0<\/strong>A. Lara<\/em><\/span><\/p>\n

By my love:\u00a0<\/strong>N. Brodzky<\/em><\/span><\/p>\n

Nostalgias:\u00a0<\/strong>J. C. Cobi\u00e1n<\/em><\/span><\/p>\n

Alma de bohemio:\u00a0<\/strong>N. Brodzky<\/em><\/span><\/p>\n

Somewhere over the rainbow:\u00a0<\/strong>H. Arlen<\/em><\/span>[\/vc_column_text][\/vc_tab][vc_tab icon_pack=”font_elegant” fe_icon=”” title=”MOZART AND PUCCINI” tab_id=”1459260615122-3-3a03e-6044″][vc_column_text]<\/p>\n

Aries of seduction<\/span><\/h3>\n

 <\/p>\n

A century from Mozart to Puccini. An exciting journey from the classic style to romanticism. Mozart, one of the greatest musical geniuses in history, wrote to the love in everyday’s life detailing his pleasures, hypocrisies, personal interests, deceptions and frustrations with an extraordinary tragic, comic and lyrical vision at the same time.<\/span><\/em><\/p>\n

Puccini, disciple of the romantic style as a whole, exalted the ideal love invested by moral force, if not by mysticism. It began the ‘verismo’ , transmitting the sensations, the sensuality and the feelings of the personages.<\/em><\/span><\/p>\n

\u00a0<\/em><\/span><\/p>\n

Wolfang Amadeus Mozart:<\/em><\/strong><\/span><\/p>\n

    \n
  • Le nozze di Figaro,\u00a0<\/em>Voi che sapete \u2013 Non so piu<\/span><\/li>\n
  • Cos\u00ec fan tutte,\u00a0<\/em>In uomini, in soldati \u2013 Una donna a quindici anni<\/span><\/li>\n
  • Don Giovanni, <\/em>Batti, batti o bel Masetto \u2013 Vedrai cari\u00f1o<\/span><\/li>\n<\/ul>\n

    \u00a0<\/em><\/span><\/p>\n

    Giacomo Puccini:<\/em><\/strong><\/span><\/p>\n

      \n
    • Le Villy, <\/em>Se come voi piccina<\/span><\/li>\n
    • Gianni Schicchi, <\/em>O mio babbino caro<\/span><\/li>\n
    • La Boheme, <\/em>Donde lieta \u2013 Quando me\u2019n vo soletta \u2013 Sole e amore<\/span><\/li>\n<\/ul>\n

      \u00a0<\/em><\/span><\/p>\n

      Stanislao Gastaldon:<\/strong><\/span> Musica proibita<\/em><\/span><\/p>\n

      Gian Paolo Tosti:<\/strong><\/span> <\/em>Na Vuchella<\/span>[\/vc_column_text][\/vc_tab][vc_tab icon_pack=”font_elegant” fe_icon=”” title=”SPANISH MUSIC THEATER” tab_id=”1459260256423-2-4a03e-6044″][vc_column_text]<\/p>\n

      Zarzuela in Kabaret\u00ae Show<\/span><\/h3>\n

       <\/p>\n

      This show not only takes us back to the singular, erudite, prolific, popular and celebrated essence of the musical heritage of the Zarzuela, it also places Zarzuela in the place where it belongs in art through the moving experiences of a singer who lived the most splendid years Of the zarzuela around the world.<\/em><\/span><\/p>\n

      Two exceptional musicians accompay me in this trip, Josep Buforn and Oksana Solovieva, playing the most memorable fragments of the best known Zarzuelas, adapted to a more intimate style but at the same time full of passion and lyrical delicacy.<\/span><\/em><\/p>\n

      We have no doubt that the spontaneity, vitality, and drama of the zarzuela will excite you. These artistic values predict a promising return to the stages and will captivate a new generation of public that, we are sure, will receive with great enthusiasm the new composers, who are renewing the zarzuela with unimaginable musical aesthetics. Perhaps the Zarzuela is timidly camouflaged under the name of Musical Theater?<\/em><\/span><\/p>\n

      \u00a0<\/em><\/span><\/p>\n

      Ger\u00f3nimo Gim\u00e9nez:<\/strong> La Tempranica<\/em>, Zapateado<\/span><\/p>\n

      Aadeu Vives:<\/strong> Bohemios,\u00a0<\/em>Romanza de Cossette<\/span><\/p>\n

      Ger\u00f3nimo\u00a0Gim\u00e9nez:<\/strong> Las bodas de Lu\u00eds Alonso,<\/em> Intermedio<\/span><\/p>\n

      Jos\u00e9 Serrano:<\/strong> Los claveles,<\/em> \u00bfQue te importa que no venga?<\/span><\/p>\n

      Chueca\u00a0y Valverde:<\/strong> La gran v\u00eda,<\/em> Schottisch del eliseo madrile\u00f1o<\/span><\/p>\n

      Pablo Saraste:<\/strong> Romanza andaluza<\/em><\/span><\/p>\n

      Rafael Mart\u00ednez Valls:<\/strong><\/em> Can\u00e7\u00f3 d\u2019amor i de guerra,<\/em> Eloi de ma vida<\/span><\/p>\n

      Ruperto Chap\u00ed:<\/strong> Las hijas del Zebedeo,<\/em> Carceleras<\/span><\/p>\n

      Jos\u00e9 Serrano:<\/strong> La canci\u00f3n del Olvido,<\/em> Marinela<\/span><\/p>\n

      Ernesto\u00a0Lecuona:<\/strong> Malague\u00f1a<\/em><\/span><\/p>\n

      Ernesto\u00a0Lecuona:<\/strong> Mar\u00eda la O,<\/em> Mulata infeliz<\/span><\/p>\n

      Federico Moreno Torroba:<\/strong> Luisa Fernanda,<\/em> Mazurca de las sombrillas<\/span><\/p>\n

      Amadeu Vives:<\/strong> La Generala,<\/em> Es un mu\u00f1eco el arlequ\u00edn<\/span><\/p>\n

      Albert Guinovart:<\/strong> Mar i Cel, <\/em>Perqu\u00e8 he plorat<\/span>[\/vc_column_text][\/vc_tab][vc_tab icon_pack=”font_elegant” fe_icon=”” title=”SACRED MUSIC” tab_id=”1459277716501-9-2″][vc_column_text]<\/p>\n

      The voice of the soul<\/span><\/h3>\n

       <\/p>\n

      The beauty of the sounds of Western spirituality.<\/em><\/span><\/p>\n

      \u00a0<\/em><\/span><\/p>\n

      Claudio Monteverdi<\/strong>\u00a0Selva morale. <\/em>Laudate Dominum, Pianto della Madonna, Jubilet<\/span><\/p>\n

      Claudio Vivaldi:<\/strong> Gloria, <\/em>Domine Deus<\/span><\/p>\n

      Wolfang Amadeus Mozart:<\/strong> Coronation Mass,\u00a0<\/em>Agnus Dei<\/span><\/p>\n

      Gioachino Rossini:<\/strong> Pauxilus Messem Solemnis, <\/em>Crucifixus<\/span><\/p>\n

      Pietro Mascagni:<\/strong> Cavalleria rusticana, <\/em>Sancta Maria\u00a0<\/span><\/p>\n

      Amadeu Vives:<\/strong> Estimem al Senyor<\/em><\/span><\/p>\n

      Stefano Melone:<\/strong> Mater Lubilei<\/em><\/span>[\/vc_column_text][\/vc_tab][vc_tab icon_pack=”font_awesome” fa_icon=”” title=”ATLANTIC OPERA” tab_id=”1459260912937-4-4a03e-6044″][vc_column_text]<\/p>\n

      European tradition and American newness<\/span><\/h3>\n

       <\/p>\n

      The Atlantic Ocean nexus of two shores, Europe and America. The Atlantic ocean carrier of the bel canto from the Old Continent to the New. The Atlantic Ocean, scene of continental sounds that spread in the silence of the sea. This concert places us on a beautiful island in the middle of the ocean. From the Eastern side you will hear the sound of deep, melancholic, mature music: here is the Italian, French and Spanish opera with its echoes of small jewels of the sound. From the western shore, the breeze will caress you with the bright notes of fresh and overwhelming passion of a young continent full of hope: gems of the new opera from the USA, Cuba, Argentina and Brazil.<\/em><\/span><\/p>\n

      \u00a0<\/em><\/span><\/p>\n

      De Curtis:<\/strong> Ti voglio tanto bene<\/em><\/span><\/p>\n

      F Cilea:<\/strong> Adriana Lecouvrer. Io son l\u2019umille ancella<\/em><\/span><\/p>\n

      Renato Rascel:<\/strong> Arrivederci Roma<\/em><\/span><\/p>\n

      George Bizet:<\/strong> Carmen. Habanera<\/em><\/span><\/p>\n

      Joseph Kosma:<\/strong> Les feuilles mortes<\/em><\/span><\/p>\n

      Enric Granados:<\/strong> Goyescas. Porque entre sombras el ruise\u00f1or<\/em><\/span><\/p>\n

      Maria Grever:<\/strong> J\u00farame<\/em><\/span><\/p>\n

      Ernesto Lecuona:<\/strong> Mar\u00eda la O. Mar\u00eda la O.<\/em><\/span><\/p>\n

      George Gershwin:<\/strong> Porgy and Bess. Summertime<\/em><\/span><\/p>\n

      Harold Arlen:<\/strong> The Wizard of Oz,\u00a0<\/em>Somewhere over the rainbow<\/span><\/p>\n

      Jerome Kern:<\/strong> All the things you are\/ smoke gets in your eyes<\/em><\/span><\/p>\n

      Edmundo\u00a0Villani-Cortes:<\/strong> Poranduba,\u00a0<\/em>Aria de Ceucy<\/span><\/p>\n

      Jayme Ovalle:<\/strong> Azulao<\/em><\/span><\/p>\n

      Juan Carlos Cobi\u00e1n:<\/strong> Nostalgias<\/em><\/span><\/p>\n

      Nicholas Brodsky:<\/strong> Alma de bohemio<\/em><\/span>[\/vc_column_text][\/vc_tab][vc_tab icon_pack=”font_awesome” fa_icon=”” title=”LIEDER” tab_id=”1459277702887-8-7″][vc_column_text]<\/p>\n

      Jewels of Europe<\/span><\/h3>\n

       <\/p>\n

      A tailor-made concert where we can rely on a single author or mix different authors creating unique experiences.<\/span><\/em><\/p>\n

       <\/p>\n

      French eroticism<\/strong>. Does your skin vibrate? You are caressing the notes of Ravel, Poulenc, Satie, Saint-Saents, Kosma, Delibes, Debussy …<\/em><\/span><\/p>\n

      Exotic Catalan<\/strong>. A range of sound treasures: from the romantic Enric Morera, to the modern and unknown Jaume Pahissa, through the classic Obradors, Granados, Monpou …<\/span><\/em><\/p>\n

      The melancholy Mediterranean-Italian<\/strong>. Can you avoid a few tears when listening to the sweet melodies of Tosti, Bellini, Rossini, Donizetti, Puccini? Better get excited. Do not forget a handkerchief .<\/em><\/span><\/p>\n

      German Romanticism<\/strong>. Nothing to do. When Schubert, Strauss, Schuman or Mozart enter into the heart they renew the capacity to fall in love again.<\/em><\/span><\/p>\n

      Bull’s skin<\/strong>. Do you want to feel the line between life and death? Close your eyes and let the fire of Falla, Rodrigo, Granados, Alb\u00e9niz, Montsalvatge burn you.<\/span><\/em>[\/vc_column_text][\/vc_tab][vc_tab icon_pack=”font_awesome” fa_icon=”” title=”BAROQUE MUSIC” tab_id=”1459333397340-10-10″][vc_column_text]<\/p>\n

      The wire of\u00a0Ariadna.\u00a0The light and dark side<\/span><\/h3>\n

       <\/p>\n

      Claudio Monteverdi:<\/strong>\u00a0Arianna, <\/em>Il lamento di Arianna<\/span><\/p>\n

      Alessandro Scarlatti:<\/strong>\u00a0Le violette<\/em><\/span><\/p>\n

      Georg Friedich\u00a0Haendel:<\/strong> Rinaldo<\/em>, Lascia ch\u2019io pianga<\/span><\/p>\n

      Girolamo Frescobaldi:<\/strong>\u00a0Se l\u2019aura spira<\/em><\/span><\/p>\n

      Claudio Vivaldi:<\/strong> Cessate, <\/em>Omai cessate<\/span><\/p>\n

      Giusieppe Giordani:<\/strong> Caro mio ben<\/em><\/span><\/p>\n

      Bonaventura Aliotti:<\/strong> Sansone,\u00a0<\/em>Vanne pur!<\/span><\/p>\n

      Benedetto\u00a0Marcello:<\/strong> O del mio dolce ardor<\/em><\/span><\/p>\n

      Claudio Monteverdi:<\/strong> Orfeo, <\/em>Io la musica son<\/span><\/p>\n

      Georg\u00a0Friedich\u00a0Haendel:<\/strong> Giulio Cesare, <\/em>Da tempeste<\/span>[\/vc_column_text][\/vc_tab][vc_tab icon_pack=”font_awesome” fa_icon=”” title=”CHRISTMAS CONCERT” tab_id=”1459277733276-10-10″][vc_column_text]<\/p>\n

      Tender festivities<\/span><\/h3>\n

       <\/p>\n

      From refined Monteverdian baroque praises to the classic and essential Ave Maria, Adeste Fideles, Allelluia, Panis Angelicus, incorporating some novelty: Mater Iubilei, Marian hymn of Jubilee 2000 and “Moses theme”, Oscar winner Enio Morricone’s tune from the film “Moses, the lawgiver”. Dear carols, that can never be missed, close this annual event.<\/span><\/em><\/p>\n

      \u00a0<\/em><\/span><\/p>\n

      Traditional:<\/strong> Adeste Fideles<\/em><\/span><\/p>\n

      Claudio Monteverdi:<\/strong> Laudate Dominus<\/em><\/span><\/p>\n

      Charles Gounod:<\/strong> Ave Maria<\/em><\/span><\/p>\n

      Cesar Frank:<\/strong> Panis Angelicus<\/em><\/span><\/p>\n

      Stefano Melone:<\/strong> Mater Lubilei<\/em><\/span><\/p>\n

      Pietro Mascagni:<\/strong> Cavalleria rusticana,\u00a0<\/em>Ave Maria<\/span><\/p>\n

      Ennio Morricone:<\/strong> Moses, <\/em>Shem\u00e0 Israel<\/span><\/p>\n

      Wolfang Amadeus Mozart:<\/strong> Exultate, Iubilate, Allelluia<\/em><\/span><\/p>\n

      Traditional:<\/strong> Catalan Carols Medley<\/em><\/span><\/p>\n

      Franz Xaver Gruber:<\/strong> Stile Nacht<\/em><\/span><\/p>\n

      Franz Schubert:<\/strong> Wiegenlie<\/em><\/span><\/p>\n

      Jester Hairston:<\/strong> Mary\u2019s Boy Child<\/em><\/span><\/p>\n

      Mel Torne:<\/strong> The Christmas Song<\/em><\/span><\/p>\n

      Blane Martin:<\/strong> Have Yourself a Merry Little Christmas<\/em><\/span><\/p>\n

      Lee Holdridge & Connors:<\/strong> Once Again<\/em><\/span><\/p>\n

      Irving Berlin:<\/strong> White Christmas<\/em><\/span>[\/vc_column_text][\/vc_tab][\/vc_tabs][vc_separator type=”normal” color=”#6c6965″ border_style=”dotted” up=”20″ down=”20″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” oblique_section=”no” text_align=”left” triangle_shape=”no” css_animation=”” box_shadow_on_row=”no”][vc_column width=”1\/2″][\/vc_column][vc_column width=”1\/2″][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” oblique_section=”no” text_align=”left” triangle_shape=”no” css_animation=”” box_shadow_on_row=”no”][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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